Artist · DJ / Selector / Stylist MIA — MISSING IN ACTION

Press Pack · Vol. 04 · 2026 — · — · —

Vol. 04 · Press Pack 2026

MIAMIA

MISSING · IN · ACTION

REF / MIA-STY-04 REC · 24.05.26

OFF DECK
ON CAMERA

STYLIST · MIAROLL 04 · F2.8

Hard House · House · 140—150 BPM · Sydney → World

A new force in Australian hard house. MIA writes sets like fight scenes — relentless, clean, body-first. Headlining 2026 across festival stages and underground rooms.

Missing in Action Hard House Forever Sydney · Melbourne · Berlin · Ibiza · Tokyo Booking Open 2026 / 27 Missing in Action Hard House Forever Sydney · Melbourne · Berlin · Ibiza · Tokyo Booking Open 2026 / 27

Monthly Listeners

Thousand · Spotify + SoundCloud combined, rolling 30-day average.

Shows Played '23—'25

Festivals, clubs and brand activations across AU, EU, JP.

Largest Room

Thousand cap — main stage, Wildlands Festival, Brisbane '25.

Followers

Thousand · cross-platform · 6.4% engagement Q1 '26.

01 / BIOGRAPHY Filed · Apr 2026

REF / MIA-PRT-04

Sydney · 35.2°SF2.8 · 1/125

PRONOUNCED MEE-AH · SHORT FOR MISSING IN ACTION

Quiet off the
decks. Unhinged
on them.

MIA is a Sydney-born DJ working at the louder, harder edge of house — somewhere between Berlin's industrial floors and the salt-air sweat of an Australian summer warehouse. She doesn't ride trends; she runs at them.

Her sets are built like fight choreography — long, breathless, technically obsessive. Equal parts hard house, hard groove, and the kind of left-turn selections that empty bars and fill dancefloors. Off-stage she works as a stylist for editorial, music video, and brand campaigns — the same eye, applied to bodies instead of beats.

Hard House House Hard Groove Tech Stylist 140—150 BPM

02 / THE SOUND Library · 4.2k tracks

HARD
HOUSE
FOREVER.

Cruise

138

Peak

146

Drop

150+

She came up on warehouse parties where the only currency was stamina — sets that started past 1am and didn't soften. That's still the shape of an MIA set: a long, mean, melodic build through hard groove and tech, into hard-house punishment, with the occasional disco loop dropped in to make you laugh before she hits you again.

SIGNATURE WEAPONS

· Looped vocal stabs / chopped a cappellas
· Sub-rolling kick patterns 4×4 → 3-step
· Live EQ kills on the breakdown
· Surprise tempo bumps mid-blend

SIMILAR ENERGY

· Industrial UK warehouse
· Big-room AU festival closer
· Berlin 4am vault rooms
· Open-air dawn sets

05 / VISUALS

IN THE FRAME.

19 assets · hi-res available on request

01 · DECKSTECHNICS SL-1200

02 · CONTROLTHE RIGHT SIDE

03 · DETAILSPRE-SHOW

04 · MIXCENTRE CHANNEL

05 · BOOTHCANS + NOTES

06 / PRESS Selected quotes · '24—'26

One of the most physically demanding sets I've heard this year — MIA programmes her hour like a heist, hands on every fader, no idle bars.

The Sydney scene has a new export problem. Once you've heard her close a room, every other closer feels polite.

Hard house isn't supposed to be this stylish — but watch her work the booth and you understand why every brand in town is calling.

07 / SECOND DISCIPLINE — STYLING

SAME EYE.
DIFFERENT
CANVAS.

MIA's styling practice runs parallel to her DJ work — editorial shoots, artist looks, music video and short-form brand. A trained eye for proportion, hardware, and the moment a body stops looking dressed and starts looking cast.

01 / PRT

ON THE DECKSLIVE '26

02 / ED

EDITORIAL LOOKSS26

03 / ED

FREE-FORM DENIMSS26

04 / CMP

PIONEER × MIAQ1 26

MIAMIA

OFF DECK
ON CAMERA

Quiet off the
decks. Unhinged
on them.

HARD
HOUSE
FOREVER.

LISTEN.

ON STAGE.

IN THE FRAME.

SAME EYE.
DIFFERENT
CANVAS.

LET'S
WORK.
↘

Accent

MIAMIA

OFF DECKON CAMERA

Quiet off thedecks. Unhingedon them.

HARDHOUSEFOREVER.

LISTEN.

ON STAGE.

IN THE FRAME.

SAME EYE.DIFFERENTCANVAS.

LET'SWORK.↘

Accent

OFF DECK
ON CAMERA

Quiet off the
decks. Unhinged
on them.

HARD
HOUSE
FOREVER.

SAME EYE.
DIFFERENT
CANVAS.

LET'S
WORK.
↘